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Phantom of the opera essays

We do not even learn his name; Erik addresses him by his title, “Daroga”, whereas everyone else merely refers to him as “The Persian”. I was a latecomer to the Phantom in its stage incarnation. The central subject is the suffering of the man of talent rejected by others (crucially, of course, by women) because he's not tall and handsome but deformed and crazy (or, in the composer's case, small and homely, which was pointed out by jeering critics when the show opened in New York; fury at the success of a show that they despised made them cruel). Foolisy, I bought all the snobbish ridicule that preceded the show's arrival from London (a knee-jerk New York reaction to bumptious pre-opening over from the Phantom publicity machine); the loss was, of course, mine. This is not a lht matter: masculine anguish has been (and largely remains) the backbone of serious Western literature and drama.

Phantom of the opera essays

Phantom of the opera essays

Although there's not much new in its' story, the way that director Cédric Jimenez balances formal s... So here it is at last, the great popular thing — Sir Andrew Lloyd Webber's stage hit "The Phantom of the Opéra", on the b screen. In any case, a concise, effective piece of musical storytelling was replaced by lyrics emptied of meaning, which are are now set in stone via this film.

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  • Yet how many of them are aware of the one man who was his friend, who wasn’t afraid of him and told him what he needed to hear even if he didn’t want to hear it?


    Phantom of the opera essays

    Phantom of the opera essays

    Phantom of the opera essays

    In fact these two musicals are completely different from each other. If their knowledge is based solely on the various film versions or the Andrew Lloyd Webber musical, then chances are they have never heard of the Persian.

    Phantom of the opera essays

    The dictionary definition has it as anything that is set or accompanied with music. WRITING POSITION PAPERS UNIVERSITY This is exactly what The Phantom of the Opera and Mama Mia are, two great examples of a musical.


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